Katarina Hagstedt

Katarina is a Swiss based podcast producer and the founder of the Swiss Podcast Club, creator’s collective which aims to bring great podcasts out of Switzerland through exchange and knowledge sharing.

When I first heard about the AMBEO VR Mic, I was intrigued to find ways to use it for my work. What I love about producing audio is that it is such a visual medium, allowing the listener to use his or her own imagination to add the missing pieces to the story. Since such experiences can be enhanced by the Ambisonic mic, I was eager to try it. I wanted to see if I as a storyteller could push my limits on how I connect with the listener to my work.

With that being said, as a podcaster mainly focusing on the story output and not having the special expertise of the technology of the mics, I wanted to include the mic usage into my workflow as natural as I could in order to assess how likely I would be to use it for additional stories.

„I found the AMBEO VR Mic very easy to use. After that I converted the files in Sennheiser’s tool and added them to my mix. It was relatively easy.“
Katarina Hagstedt

One of the stories I was working on at the moment came to mind - about our relationship to the internet. A part of the piece included illustrating all the thoughts going through our heads when we are challenged to live without internet for a week, and I wanted to see if the AMBEO VR Mic could help me enhance that experience of “thoughts floating through your head”.

It was important for me to test the mic in a quite seamless way, that fit into my regular recordings and workflow. I decided to test the mic for a segment of my story, where I wanted to illustrate thoughts, or so-called voices in our heads and what they are telling us. Since we didn’t have access to a studio at the moment for the test, we decided to do it in a regular conference room. I gathered the group of people in a room where they were talking around the mic. I found the AMBEO VR Mic very easy to use. After that I converted the files in Sennheiser’s tool and added them to my mix. It was relatively easy. I chose to skew the sounds slightly as well in order to increase the “in your head” feeling.

About Katarina Hagstedt

Katarina is a Swiss based podcast producer and the founder of the Swiss Podcast Club, creator’s collective which aims to bring great podcasts out of Switzerland through exchange and knowledge sharing. As a storyteller, Katarina's productions include My Survival Story, a personal narrative podcast series on cancer survival featuring people coping with the disease from all over the world, a project which was nominated for the national Audio Prize at the sonOhr festival.

With a strong affection for narrative storytelling in the audio format, Katarina has a drive to cover topics that questions but at the same time creates understanding. Her work takes her outdoors, in the studio and in people’s homes, and she is always looking for new ways to integrate innovative techniques into her storytelling.

About Katarina Hagstedt

Eksperthistorier - Virtual Reality

Henrik Oppermann

Henrik Oppermann er Head of Sound hos Visualise. Som en førende 3D-lydspecialist medbringer Henrik over 10 års erfaring med lyd i studiekvalitet til film, reklamer, kunder i musikbranchen og 3D-lydinstallationer.

Michael Engman Rønnow

Michael har arbejdet i den professionelle branche de seneste 25 år. Han startede som musiker i teenageårene og gik ind i studiebranchen omkring 1992.
Han arbejder nu inden for pro audio-salg, men turnerer også stadig som musiker eller FOH-lydmand, samtidig med at han driver sit Pro Tools-baserede studie derhjemme.

Côme Jalibert

Côme Jalibert begyndte sin karriere som lydtekniker og -designer i 2002. Han har altid været tiltrukket af lydens omsluttende kraft og har derfor eksperimenteret meget med surroundlyd: I sit arbejde ønsker han, at lyden skal føles snarere end høres. Han har arbejdet med film, TV og senest med videospil, transmedia og VR. Hans mest kendte arbejde er lyddesignet til filmen Minuscule, The Valley of the Lost Ants og skabelsen af lydsiden til Phallaina, den første grafiske roman med scrolling til touchscreens.

Nicolas Büchi

Nicolas Büchi (*1982) er forsker inden for casting / audiovisuelle medier i Department of Design ved Zurich University of the Arts (ZHdK).

Thomas Rechberger

Thomas er en schweizisk musiker, musikproducer og lyddesigner. Han har arbejdet med pro audio på alle sider af mikrofonen i mere end 20 år: Som sologuitarist i bandet Lovebugs har han spillet mere end 1.000 koncerter i Europa, indspillet 13 albums inkl. adskillige nr. 1-singler og modtaget flere Golden Record-priser.

Fabian Knauber

Som uddannet akustiker har Fabian Knauber en bred teoretisk viden om rumakustik, 3D audio og binaural teknologi, og han supplerer den med sin praktiske erfaring som freelance-lydtekniker. Ud over live- og studieproduktioner indbefatter hans kernekompetencer også komplicerede, højttalerbaserede installationer og 3D-lyd til Virtual Reality.

Stephen Vitiello

Stephen Vitiello er elekronisk musiker og mediekunstner. Han har udsendt CD'er på New Albion Records, Sub Rosa, 12k og Room 40. Hans lydinstallationer og multikanalsarbejder indgår i den permanente udstilling på Museum of Modern Art, Whitney Museum og Museum of Contemporary Art, Lyon.

Little Konzett

Little Konzett er en østrigsk producer, indspilnings-, mix- og mastering-tekniker, musiker og ejer af „Little Big Beat Studios“. Studierne ligger i den vestlige del af Østrig og i Liechtenstein.

Rodolphe Alexis

Som lyddesigner og -tekniker arbejder han på forskellige måder, som er i dialog med andre kunstgenrer (installation, skulptur, performance, radio).

Martin Rieger

Martin Rieger betegner selv sin profession som 360° lydproduktion, et udtryk for hans holistiske tilgang til VR-produktioner, hvor han tager flere elementer end sædvanligt i betragtning i indspilnings- og mix-processen, idet han bygger historiefortællingen op gennem hele forløbet.
Med studier i medieteknologi og produktion har han et godt overblik over teknologier ud over audio.

Dávid Rikk

Budapest based live sound engineer Dávid Rikk, is the head of sound at Akvárium Klub, Hungary’s biggest indoor venue with multiple concert halls. His primary goal is to bring concerts closer to the audience by creating a massive yet still dynamic sounding show and transmit the personality and intimacy of the performing artist. This attitude is behind creating AMBEO 360 @ Akvárium Klub series.

Katarina Hagstedt

Katarina is a Swiss based podcast producer and the founder of the Swiss Podcast Club, creator’s collective which aims to bring great podcasts out of Switzerland through exchange and knowledge sharing.

Georg Bleikolm

Georg Bleikolm was born in Lausanne and settled in Zurich 15 years ago. His heart oscillates between music, science, technology and media. Before he decided to concentrate on his solo projects “KnoR” Georg Bleikolm toured worldwide as a drummer with various bands for a decade and worked as a music producer.

Andrés Mayo

Andrés Mayo, former President of the AES (Audio Engineering Society), is an audio engineer and music producer who has pioneered the art of mastering since 1992. He boasts credits in more than 3,000 albums released in vinyl, CD, DVD, Blu-Ray, streaming and 360-degree audio formats.

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